Children's Choir Concert - Detroit's St. Gabriel Parish - June 19th, 2010

The Children's Choir
of St. Gabriel Parish of Detroit
and
The Parish's Students of Classical Guitar
present
A Concert
on
Saturday, June 19th at 1:00p.m

The music will be bilingually performed (Spanish and English)
and will feature several children soloists,
including a duet and a trio.
Several children in the choir will also play various hand-held percussion instruments.
Several musicians will accompany the Children's Choir.

The students of classical guitar
are taught by none other than our pastor, Fr. Jaime Hinojos.
These guitar students will be our featured musicians.

Reception following the concert.

For a complete program line-up
and a list of the members of the choir and musicians
accompanying St. Gabriel's Children's Choir
Go Here.

This will be a wonderful event by some marvelous Detroit inner-city children.

St. Gabriel Parish
8118 W. Vernor Highway
Detroit, MI 48209
(313) 841-0753
(the concert is free of charge and the church is air conditioned!)

Reflections on the First Hispanic Women's Conference in the Archdiocese of Detroit

The Archdiocese of Detroit just held the first Latina Women's Conference.

What did I learn from women's conference? Not much from speakers, whom I thought were mediocre at best. I must admit that I did not hear all of the talks. . .but what I did hear. . . well. . . I honestly expected so-o-o much more. . .

. . . might I dare suggest for the future: Dr. Ada Maria Isasi Diaz, Rosa Martha Zarate Macias, Sister Rosa Maria Icasa . . . . . Sister Nina Rodriguez. . . .

But. . . from my participation in music ministry I did learn several things. . . .and to appreciate even more. . . several thoughts here, in no particular order. . . .

I come to appreciate all of my friends, old and new. Not that I didn't before. But you know, I do have some wonderful, fabulous friends. And it's good to let them know that they are wonderful and fabulous every once in a while. I come to appreciate them more after yesterday.

I appreciate, respect and honor the talent of my friend Marcy. In our music we have come to almost have a psychic connection. And you know, that's a God thing. Marcy, I cannot imagine my life without your friendship and your music. . . . .I cannot imagine my life without our ministry to the community, our ministry to each other. . . .OK. . .now I am crying. . . .

I appreciate, respect and honor the talent of my friend Ana. In all honesty, you amaze me at how quickly and "on the spot" you fired up those interludes with the oboe. I am touched by all you are doing to make this special Mass of Remembrance a reality. I am impressed by your commitment to minister unto to those who have experienced such a huge loss. I may joke and call you "The Reverend Doctor Sister Ana," but it 's only because I wish to honor the oh so many things you have managed to do with the life our good and gracious God has given you. . . . .

Connie, you, my dear lady, could become a TV news anchor. How do you come up with some of those commentaries? I totally forgot about the rebozos coming from the women of Chiapas.

I come to appreciate Sister Nina so much more. A religious, an advocator, a teacher, a catechist, A Cantico Lady. . . and even a choreographer! Sister Nina, you just amaze me sometimes. And if I haven't told you lately, I love you and appreciate that you are a part of my life. And I thank you for all that you have done for the community throughout the years. . . . You, my dearest Nina, could, should and ought to be a speaker at this event next year. . . .

I appreciate working with the group of women called together to be a part of the music ministry for this event. I am particularly impressed by Carly, Mistress of the Vihuela. Carly, your musicianship is what kept me going on those Caribbean rhythms. Thank you! Thank you! Thank you! . . . .So, Carly, when are you going to form The Mariachi Mujer de Michigan????

Jennifer, you were always so helpful. . . moving the piano at rehearsals at Holy Redeemer, helping me with cables the day of the event. I truly appreciate that. It takes a tremendous amount of time and energy to load and unload equipment. That you would stop and help me untangle extension cords and get all connected is something I truly appreciate. And Jen, you have a fabulous voice. Celebrate that gift, girlfriend!

Silvia. . . .you are planning on spending more time with that guitar, are you not? Silvia, you are very talented and I am grateful to have worked with you. . . . .I appreciate all of you who were a part of this music ministry. . . .

I know they already know this, but I'll say it anyway. I appreciate, love and respect my Cantico Ladies. You know, I enjoyed my participation with this other group, the group pulled together for this women's conference. But Cantico de la Mujer Latina is home. Your presence in my life has made a huge difference to me. Where would I be without you? Where would we be without each other?. . . .Can you believe that we have been making music together for about as many years as our youngest member has been on planet earth???. . . .

I also come to understand that while my public ministry is a music ministry, it's really something else. It is through music that I help others develop a confidence in what they are already so obviously good at, but sometimes don't believe or know that they are. Developing the music develops so much more.

And I learned something I should have already known: Don't assume anything. If you want to know something, ask. Isn't that so basic? "Ask and you shall receive." Yeah, I should have asked for the days schedule of events. I like to know things ahead of time. I know that things change at the last minute, but I like to have a plan of action to start with. It keeps me grounded. I mean, you can't have a Plan B until you first have a Plan A. I don't have to be involved in designing the plan. But if I'm in the plan, I'd like to know what said plan includes. . . .OK. . Rubi's Rambling again. . .But now I know and will ask for it next time. I take ownership on this one. Mia Culpa.

I also learned that not everyone will respect and honor those things that you value, even at an event for the faithful. My keyboard suffered some serious damage at the event at the hands of someone who claims to value life. Music is not only my ministry. It is my livelihood. My life, as it were, will be seriously effected and affected by the damage done to my instrument. As Marcy so often reminds us, "everything happens for a reason." Still, I do not know what I am supposed to learn from this. What is the reason that this happened? I do not know who will repair my instrument. I do not know how I will pay for repairs done. In all honesty, I do not think that I should be the one to pay for the repairs.

I thank God that Robyn's keyboard and Marcy's guitar did not also suffer damage as they were connected into my amp. I thank God that Doris' guitar and Andriana's mic did not suffer damage, as their amps were connected into my surge protector. . .All of these cables connected us all. . .But still, why my keyboard??? What do you want me to learn from this God?. . . OK. . .I'm crying again. . .

As we were taking things down at the day's conclusion, Beatriz told me that I was dangerous, commenting on the poem I wrote. . . .You know, despite all of my tears for my keyboard, I kinda needed to hear that. . . . Poetry is and always has been my first love. . . .Thanks, Beatriz. Because now I know that at least one person really, really heard what I said. . . .and thanks for reminding me that sometimes it's about a ministry to myself. . . .Why do women tend to forget that sometimes????

I continue to reflect on the day's events and encourage others to do the same.

Say a prayer for that young man who took it upon himself to recklessly move my keyboard. He respects life, but does not respect things that belong to others.

I would also ask that you say a prayer for my keyboard.
She is an Ensoniq ZR 76. . . .

I have started to post questions on forums in the hopes that some keyboard techie will be able to help. . . . but I begin to realize that, because Ensoniq no longer manufactures, my keyboard may actually go to her grave.

How to teach a choir a new song

OK.
I know this sounds like a silly title
for a blog entry.
But you know,
there really are different ways to teach.
I'm not just talking about
different leadership styles.
I'm talkin' about how people learn.

Specifically,
I wanna write about how people
who don't read music
learn a new song.

First of all,
if you have many musicians,
I would recommend at least a once a month rehearsal
for musicians. . .apart from the choir.
If there is only one guitarist
and a pianist. . .well, that might work.
But really. . .if there are several guitarists
or other instrumentalists
I would recommend planning your liturgies
at least one month in advance.
Pass music out.
Let musicians look at music at home.
Now. . .I'm not saying
not to welcome them to a rehearsal.
But I really think that musicians
should rehearse as musicians separate from the choir.
Musicians should not be learning music
at the same rehearsal that the choir is.

Why do I say that?
It's not just about the musicians.
It's about the choir.

To put it simply,
people learn a new song best
voice to voice.
In other words, sing it and let the choir repeat it back.
No instruments.
Not even a basic accompaniment.
Just voice to voice.

There can be such a thing as too much music,
at least as far as learning a new song goes.
Too much music, too much accompaniment
can throw folks off.
They are searching for the melody or harmony.
Give them the whole score and it lengthens the learning process.
Now,
most of us rehearse 1 1/2 to 2 hours a week.
Time is precious commodity.
Don't we want to shorten the time it takes
to learn a new song?
And, again,
let me say that I'm writing here
about a choir whose members don't read music.

Another tactic,
perhaps even before the voice to voice approach,
is to recite the text in rhythm.
I do this ALWAYS
the children's choir I direct.
The thing is,
once you start,
once the choir knows that this is the process
they will begin to pay more attention
when you speak the text in rhythm.
Almost as if by some sort of osmosis
they will learn how to listen better.

If a syllable has more than one note,
stretch the note out with an "h"
as you recite that text in rhythm.
(This is the Day
the Lord - hord- has made.)
Speak it in rhythm a few times.
Then, pluck out the melody on the piano.
Just the melody.
Then, go voice to voice.

And, again,
speaking of the choir
whose members don't read music,
I would suggest rehearsing the song
for three weeks
(or 3 rehearsals)
before introducing it at mass.

Why do I say this?
Because even though the song may be very easy,
many of them will forget their part
once the return home from rehearsal.
They may remember that it was upbeat
or solemn.
They may remember that the men did something different,
or that the key was high or low.
But they might not remember their specific part.
And next week. . .
well. . .let's face the truth here. . .
some of them might come next week.
And then you'll some who come next week
who weren't there when you introduced the piece.
So. . .that's why I suggest three rehearsals.

I know, I know.
Attendance is important and people should come
to every rehearsal.
But that, my friends,
is another blog entry.

Just remember these two things,
if you don't remember anything else:
1) Speak the text in rhythm
2) Teach the song voice to voice.

Please. . .
. . it will save us all so much time and frustration. . . .